{"id":862,"date":"2020-05-19T16:34:38","date_gmt":"2020-05-19T16:34:38","guid":{"rendered":"https:\/\/www.melisgolar.com\/?p=862"},"modified":"2020-05-19T17:00:23","modified_gmt":"2020-05-19T17:00:23","slug":"figen-cebe-kirmizi-goruyorum-siyah-karistiriyorum","status":"publish","type":"post","link":"https:\/\/www.melisgolar.com\/en\/figen-cebe-kirmizi-goruyorum-siyah-karistiriyorum\/","title":{"rendered":"Figen Cebe | i see red … i mix up black …"},"content":{"rendered":"\n
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Figen Cebe, \u201ci see red … i mix up black …<\/em>\u201d, 2017, Siyah Beyaz Gallery<\/figcaption><\/figure>\n\n\n\n

Gallery Siyah Beyaz is opening the 2017 season with painter Figen Cebe\u2019s exhibition titled “I see red … I mix up black …”. The exhibition combines Cebe\u2019s works from the exhibition “I see red …” which had previously been exhibited in Istanbul, with the new series “I mix up black …”. Believing in the significance of the artists\u2019 sensitivity on the contemporary issues, Cebe reflects her thoughts this time behind the black. The artist, who gets the black color from the mixture of different colors, also enlarges the sizes of the canvases in this exhibition; hence give an opportunity to the audience to observe her technique\u2019s delicacy in detail. The frequently subjects seen on her works such as light, time, and motion merges with the paint, technique and shadow and presents them to the viewer. Cebe, whose works can be identified as repetitive; mentions that each painting reveals different results depending on the time it was made likewise the meanings and thoughts she attributes every time.<\/em><\/p>\n\n\n\n

MELIS GOLAR :<\/strong> The title of the exhibition is \u201ci see red… i mix up black \/ je vois rouge\u2026 je broie du noir\u2026\u201d In French there\u2019s also a connotation of being angry, pessimistic, and grieving. How is this exhibition title, which evokes hopelessness, reflected on your works?<\/p>\n\n\n\n

F\u0130GEN CEBE :<\/strong> we\u2019re going through tough times; not just in Turkey, but around the whole world\u2026 ever since i was a child there have been civil wars, cold wars, revolutions, coups both in Turkey and around the world\u2026 but we could always hope that there would be progress; that wars would be over, that there could be a fairer world order, that there would be peace… in short, there was hope… globalization; along with the internet\u2019s aid\u00a0 the fall of the USSR, helped the capitalist system to go wild; it gained a momentum at a dizzying speed and the most recent economic crisis brought the world into this state… i have been living in many countries mostly in Turkey, France and England throughout my life therefor i follow various happenings around the globe very closely, i am dread of the direction in which we are headed; and i am hopeless\u2026 at first i got sad, however I could not get sad for some time passed, i am just very angry and pessimistic… i think because of the gravity of the situation, my logic has taken control… normally, i am an optimistic person; i definitely look to find the bright side of things, and focus on those… even though it\u2019s hard, i still try to do it… i think my paintings reflect that conflict\u2026 apart from these, i was devastated by the loss of two people i valued so much, and held so dear to me; first Yaman Kay\u0131han, then Faruk Sade… while i did the latest paintings, i kept on seeing Faruk\u2026 my works have always been impacted by a mix of my thoughts and my psychology… they reflect the colors and the ambience of my thoughts\u2026 the symbols and the imagery i use; depict the message i want to convey… they help me pick up the pieces of me that had been scattered around for various reasons… the titles of the previous exhibition and this one came out naturally by themselves as the paintings were completed, in French; i did not need to look for them…<\/p>\n\n\n\n

M.G. :<\/strong> You have emphasizing that; \u201cAbstraction is an easy way to express deep realities\u2026 When, which is inside opposes to what is seen from outside, my paintings reflect an inner world,\u201d; you are opening up your inner world to us with your art. You sometimes put your imagery and symbols into focus with apparent objects, other times you hide abstract silhouettes within the flickering beams of light. The use of light also makes references to life itself. Do you select your imagery randomly or could it be said that these are choices where your inner world becomes concrete?<\/p>\n\n\n\n

F.C. :<\/strong> it takes a long time for me to focus and decide what i am going to do… i will then do some small sketches, make the drawings onto the canvas, play around with them\u2026 my conscious and my subconscious pass along to each other while i choose the imagery and the symbols… after making these choices that i am sure with the aid of my instincts, i don\u2019t question them… so my answer lies within your question… in summary, just as you\u2019ve said, the light, as well as the imagery and the symbols make references to life and to the world itself and these are the tangible results of random choices of my inner world\u2026<\/p>\n\n\n\n

M.G.:<\/strong> There is a series of paintings in the exhibition where you have obtained \u201cblack\u201d without using black paint, by only mixing different colors. Is your refusal to use black paint, a state of denial of the darkness?<\/p>\n\n\n\n

F.C.:<\/strong> in my paintings, i have only very rarely ever used black paint out of a tube… what we perceive as black is actually only the darkest state of various colors… so, i prefer to mix the black that i find most suited to the atmosphere i want to create, myself… i prepare different mixes for a warm black and a cool black… i do not reject darkness; the presence of light is only remarkable in the best of darkness\u2026 both visually, philosophically and psychologically\u2026<\/p>\n\n\n\n

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Figen Cebe, \u201ci see red … i mix up black …<\/em>\u201d, 2017, Siyah Beyaz Gallery<\/figcaption><\/figure>\n\n\n\n

M.G.:<\/strong> Your paintings are comprised of thin layers of paint and you mention that your technique requires every layer to be completed before the paint dries. This partially makes time management you spend on your paintings important. Is there a performative aspect in your technique in regards to your interaction with your work?<\/p>\n\n\n\n

F.C.:<\/strong> i can say that there is such an aspect within the process… after getting the sketch to its most favorable state, i enter a phase of trance, both physically and mentally, with the paint\u2026 my eyes both see and do not see… it\u2019s like getting lost in the details of the painting by focusing on the paint and the brushes and the technique of close applying… although the brushes try to obey the orders from my brain as extensions of my arms and hands, both the brushes and the paint declare their independence and bring surprises… i follow the traces and wait in curiosity… i continue painting without taking any breaks, until a whole layer is done before the paint dries up… i can not see what i have accomplished before i take a step back… in this process, time management is very important, the paint has to stay wet… there are materials that delay drying but i want to achieve the desired texture without using them\u2026<\/p>\n\n\n\n

M.G.:<\/strong> In addition to your previous exhibition \u201ci see red\u2026\u201d series, this time in this exhibition we encounter a new, black series. The subjects of your works seem to build on top of one another and perhaps alters through the spirit of time and gain new meanings. Additionally, not only on your paintings but also in your writings, I see a similar attitude of your frequent use of ellipsis (\u2026); in which you avoid to put a full stop at your sayings, it\u2019s as if you refuse to end what you\u2019re telling us. Can you mention about how life\u2019s continuous and never-ending motion affects on your art?<\/p>\n\n\n\n

F.C.:<\/strong> i give a great importance to thought and the act of processing it\u2026i make up my mind after hours of\u00a0 reading, thinking and re-evaluating\u2026 if i am quick to make decisions, it\u2019s usually because i\u2019ve thought that subject through… this doesn\u2019t mean that \u201ci do not make mistakes\u201d… but, at that stage of my life, that decision is the most appropriate one to me and my personality… i don\u2019t feel regretful later on; i live what i have to experience… it\u2019s been in that way about arts as well, and it continues to be in that way… every person is a unique being, none are alike… it\u2019s important to me when i continue to create original works that emerge from a mixture of my personality, my experiences and my story…originality, sincerity, honesty, naturalness are the aspects i value the most in people, in life and in art… even though we pass through different chapters in our lives, these chapters are all connected like the links of a chain; none stand apart… art and life are similar to each other… and so, like the links of a chain, there is a natural connection between my pieces of work…in fact, there are series of paintings that i use the same image\u2026i have told the reason for this many times, but i will repeat again… although each of my paintings drawn and painted by hand with no transfer techniques, almost similar colors used, the result is always different from each other\u2026i love the compositions small or large differences constituted between each other these series form with the small differences between them…when it comes to the \u201cellipsis\u201d; i don\u2019t like using the \u201cfull stop,\u201d it\u2019s rough to me … even death, nothing has an absolute \u201cfull stop\u201d… and there are so many things to say in every subject… using a \u201cfull stop\u201d to my words or my writings, create a sense of adding an absolute value to them… and i don\u2019t like anything that is \u201cabsolute\u201d… alternation, adaptation, soft transitions seem much suitable for me… they give me peace… and apart from proper nouns, i dislike capital letters… i ask that it be this way in this interview as well…<\/p>\n\n\n\n

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Figen Cebe, \u201ci see red … i mix up black …<\/em>\u201d, 2017, Siyah Beyaz Gallery<\/figcaption><\/figure>\n\n\n\n

M.G.:<\/strong> In one of your interviews you talk about your interest in other mediums and that you consider going into video art in your future work. Are we going to see such a surprise in your next series?<\/p>\n\n\n\n

F.C.:<\/strong> i have always wanted that, for years, i\u2019ve been thinking about projects unfortunately i could not start one yet… i must admit, the reason of this is that i\u2019m going to need some technical and technological support…i won\u2019t promise, but who knows?<\/p>\n\n\n\n

M.G.:<\/strong> Are there any developments in our country or from around the world, that you feel as controversial and evaluate as negative or one that you find as an improvement, a positive decision, in terms of art politics? What do you think about the reasons behind these situations transpiring these days? Where does Turkey stand in terms of your example?<\/p>\n\n\n\n

F.C.:<\/strong> the relationships between art & capital, art & political\/religious powers have always been very intimate, very visible… the ones who hold the capital, have always used art as a sign of their power… Turkey, in this regard, is still a mere pupil, a simple apprentice cycle… its past is short, its today is \u201climited, restricted\u201d… sometimes there are progress, though too many obstacles… additionally, without getting into detail, starting from the students of \u201cfine arts,\u201d artists, art historians, gallerists, collectors, anyone concerned with art need to educate themselves, need to be educated, and this education needs to be sustainable… as an example on the subjects of \u201ceducation\u201d and \u201cwomen and women\u2019s rights\u201d (i do not say \u201cfemale artists\u201d intentionally), i’d like to quote a Turkish collectorwho literally told me \u201ci don\u2019t buy artworks from female artists, because women; they get married, they give birth, they go through menopause, etc, and do not continue working\u201d… art is a part of life… it\u2019s impossible for it to stay far from the realities of the country and of the world…<\/p>\n\n\n\n

For more information; https:\/\/galerisiyahbeyaz.com\/tr\/gecmis\/galeri-siyah-beyaz\/2016-2017\/kirmizi-goruyorum-siyah-karistiriyorum<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Gallery Siyah Beyaz is opening the 2017 season with painter Figen Cebe\u2019s exhibition titled “I see red … I mix up black …”. 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